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The QA Day Job

on April 21, 2010

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Robert Manna does an awesome job of summing up what happens over at the Factory.

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Export Vasari/Revit to Rhino

While sending data out of Rhino and into Revit is pretty commonplace, I've seen a bunch of situations where folks need to go from Revit to Rhino and run into trouble. Data is imported and doesn't show up, imported geometry is faceted, or in some way not what you're looking for. Luckily, it doesn't have to be like this, you just need to change a couple default settings. Here's how to get a nice clean, smooth DWG into Rhino Step 1: Solids v. Polymesh Strangely, the default setting for DWG exports is polymesh. Assuming you want to bring in real smooth, accurate, analytic surfaces and solids, open up Export, Options, Export Setups DWG/DXF Go to the "Solids" tab and change "exports solids as" from the default "Polymesh" to "ACIS Solids" Step 2: DWG Versions Every 3 years, the folks who make DWG update the file format and often times it takes a couple releases for other companies to incorporate the n...

Repeat and Divide Prt I: curved panels

Buildings are not monolithic things . . . if there is one thing you can say about all buildings (cave dwellers and freaky 1970’s Gunnite structures aside) it is that they are made of many, many tiny parts all glommed together. In one way or another, our built environment is made of repeated elements in space. Given this, why doesn’t our BIM have a unified method to array/repeat/distribute/etc elements in space?!?!?!? Well, the Repeat and Divide functionality that is new in Revit 2013 is not the Great Unified Solution, but it is pretty damn awesome anyway. User Question: I have a mullion that needs to follow the curvature of my form. Both curtain system and curtain panel by pattern functionality facet my form. How can I get back to smooth curvalicious goodness? With a few exceptions, the Divided Surface, Curtain Panel by Pattern, and Curtain System functionalities reduce smooth surfaces to facetted ones. While this is often exactly ...

Color By Numbers

We have all been rasterized and reduced to pixels that live on each other’s screens. Which got me thinking about how much of what we see is really a trick of the eye in pixel graphics. And thinking about the long history of this kind of abstraction underlying our perception of smooth imagery, usually done for the purposes of mass production Many of these mass production methods have been recycled back into the fine arts world, see Roy Lichtenstein and Chuck Close . . . And I got to playing around with a simple method in Dynamo to take regular photo inputs and convert them to the familiar CMYK color space for physical printing so that I could decompose any image and recompose it in a new format One that has multiple readings, from the up close to the resolved distance view And then making more of a physicality or requirement for presence to really see the drawings at multiple levels And trying to get a range of drawings, one that is seen from a distance, on that is seen in extreme close...

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The QA Day Job

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